Opinion

Threats against mural artists are despicable

Aside from some relatively minor political differences, this year of commemorations has taken place in a generally positive, dignified and inclusive atmosphere.

Those who wish to learn more about the Easter Rising and that tumultuous period in our history have had ample opportunity to attend parades, talks, debates and exhibitions while newspapers and broadcasters have produced information and analysis on the key people and events from the time.

It all adds to a greater understanding of our shared history and the actions that shaped Ireland for future generations.

Of course, not everyone will agree with the ideals and aspirations of the leaders of the Rising but what led them to the GPO and what happened in subsequent days, weeks and years is a matter of historical record.

Crucial to this narrative is the role of Edward Carson who led unionist opposition to Home Rule, establishing the Ulster Volunteers, later the UVF, and who was the first to sign the Ulster Covenant in 1912.

It is entirely reasonable and historically accurate that he should be included in a temporary mural in west Belfast marking the centenary of the Easter Rising.

The Divis Street international wall, as it is known, attracts thousands of visitors every year and has been used to highlight a range of political issues.

Some people have taken exception to the depiction of Carson, throwing paint over his image, plastering it with a poster and tearing down scaffolding while the 32 County Sovereignty Movement has also staged a protest.

However, matters have taken a much more sinister turn with news that artists working on the wall have been subject to threats on social media.

Those attacking the mural and the artists involved in its creation are displaying a frighteningly narrow perspective.

Their actions are intimidatory, reprehensible and bring shame to whichever cause they claim to represent.

Like it or not, Carson was part of our history. The immature bully boys need to accept it and let the artists get on with their work.