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Sir Ian McKellen on being King Lear, the importance of 'seeing buttons' and the joy of imagination at the theatre

Gail Bell
IF, AS Shakespeare imagines, 'all the world's a stage', then surely no-one has made a more dramatic mark on it than Sir Ian McKellen, with spell-binding, nuanced portrayals of everyone from the Bard's King Lear to Gandalf in Lord of The Rings, Magneto in the X-Men films and even Gus (the 'theatre cat', what else?) in Andrew Lloyd Webber's famous feline musical, Cats.

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