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What Louis did next: Theroux explores how the internet and social media have changed the United States in 10 years

Documentary-maker Louis Theroux has gone back the United States for his latest series, to explore the changes resulting from the internet and social media, writes Gemma Dunn.

Louis Theroux: Forbidden America screens from Sunday on BBC Two. Picture by PA Photo/BBC/Mindhouse Productions/Dan Dewsbury.
Louis Theroux: Forbidden America screens from Sunday on BBC Two. Picture by PA Photo/BBC/Mindhouse Productions/Dan Dewsbury. Louis Theroux: Forbidden America screens from Sunday on BBC Two. Picture by PA Photo/BBC/Mindhouse Productions/Dan Dewsbury.

LOUIS Theroux is mulling over his bucket-list interviewees.

The documentary-maker, who has spent the best part of 25 years getting under the skin of many famous subjects (as well as studying taboo subcultures), has come up with his top three.

"Tom Cruise. Only because of my history with Scientology..." he begins, pensively. "People are either scared to ask him about it or they feel like it'll create an awkward mood. Whereas I just think someone talking to Tom Cruise about what's really going on inside Scientology would be really valid.

"Then I feel the story that I missed was Isis when it was going on," he lists as second choice. "Quite who I would have interviewed... Anyone in a position of authority there. Or even now, (someone) still signed up to Isis or some radical Islamist or a regretful Jihidi, like Shamima Begum.

"And my third one will be, maybe, Lisa Marie Presley," he concludes, without elaborating.

And with a back catalogue like Theroux's - an evolution that spans from sitting down with Jimmy Savile to accosting cult members to making films on eating disorders and dementia - there's little the seasoned interviewer can't handle.

He will next be seen on BBC Two with a new Sunday night series, Louis Theroux's Forbidden America.

The three-parter, which sees Theroux travel the length and breadth of the United States, explores the impact of the internet and social media on some of the most controversial corners of American entertainment.

"The world has gone through massive changes in the last few years, in particular from the effects of social media," he reasons, having originally planned filming for early 2020 before the Covid-19 pandemic hit.

"Far-right groups that have found new influence through gaming and streaming services. Porn performers who have seen power shift to them as they've embraced creator-controlled apps and called out alleged predators in the industry. And in the rap world young men with big dreams caught up in feuds and high-risk behaviour in the click-driven world of social media.

"These documentaries were tough to make," he admits. "They required delicate access conversations. They feature scenes and confrontations that are shocking and upsetting. But they are also powerful depictions of a world that has become strange in ways we could never have imagined 10 years ago."

In the first film Theroux meets young and highly inflammatory figures from the far right (what he refers to as "the hipster far right") including those who came to the broader public's attention through the notorious Capitol Hill riots.

One such name is Nicholas J Fuentes, a 23-year-old far-right, white nationalist political commentator who brands Theroux "pretentious".

Another is Kentucky-based streamer Beardson Beardly, who throws the film-maker out of his house after he questions him over an alleged Nazi salute.

"To me, as a sensitive person, it never feels that good. I don't enjoy people who are visibly upset. And at the same time, you know, it is what it is, and you recognise that it will make explosive and probably entertaining footage."

Another chapter in the series explores the porn industry as it grapples with its own Me Too movement, the rise of platforms like OnlyFans, and how social media has evolved into a space to publish accusations of sexual misconduct.

And Theroux's most personal film ("although I don't play favourites"), is centred on the world of rap and hip-hop in the southern states of America, and in particular Florida.

Rappers, like many artists, have long mined their lives for inspiration to create and promote their music. But raising the stakes is the 24-hour connectivity of social media.

"I'm a fan of rap; I see the world of rap as something that I admire, and I try and hold on to that respect for the artistry of the people involved, and the humanity of the people involved," states the Londoner.

"And, actually, I suppose that's the biggest part of the job in a way, building rapport. It doesn't always happen the way you want, but what you find is, if you go in as a sort of sympathetic presence, or at least in a mode of listening and paying attention, that people, for the most part, are happy to open up and feel grateful for you being there," he imparts.

"There's no recipe, there's no formula for making sure that the films do have a degree of compassion and warmth in them, other than really spending the time just being attentive and just being curious."

Reflecting on how his interview style has changed over the years, the father-of-three says he is "a little more confrontational now".

"I'm 51, a bit more serious, and I'm trying to take on subjects that I'm curious about," he says.

"I'm an older man; I'm more comfortable at sort of bringing the fight... being a more robust questioner."

:: Louis Theroux's Forbidden America starts on BBC Two on Sunday February 13.