Entertainment

Albums: New music from Biffy Clyro, James Dean Bradfield, Sea Girls and Marsicans

Biffy Clyro's new album A Celebration Of Endings
Biffy Clyro's new album A Celebration Of Endings Biffy Clyro's new album A Celebration Of Endings

Biffy Clyro – A Celebration of Endings

A CELEBRATION Of Endings sits among Biffy Clyro's tightest, most streamlined albums. No longer the emotive tricksters of 2009's Only Revolutions and 2013's Opposites, here the Scottish alternative rock titans opt for serious experimentation, ambition and anger.

What the album lacks in humour it makes up in fervour, with opener North Of No South fusing barbershop-style vocals with a driving motorik rhythm.

The band have talked recently of how, despite their best intentions, it was inevitable their political anger – against politicians, against Brexit – would permeate through the record.

This explains the pressure cooker vibe, a rolling boil that never quite escapes the pan, although the album does not make politics its lyrical focus. Album closer Cop Syrup builds layers of jangling guitars and rising strings (nodding to early cinematic Radiohead) until it crescendos with screaming and crashing guitars.

A Celebration Of Endings certainly sits among the band's best albums.

It's certainly their angriest.

7/10

Alex Green

James Dean Bradfield – Even in Exile

A CONCEPT album about the life and death of Chilean folk singer and activist Victor Jara, Even In Exile is a labour of love for James Dean Bradfield.

The Manic Street Preachers frontman sets to music words written by poet Patrick Jones – brother of his bandmate Nicky Wire – to evoke the defiance and bravery of Jara, a cultural ambassador for President Salvador Allende's government who was tortured and murdered following the US-backed coup that installed Augusto Pinochet in September 1973.

Opener Recuerda starts ominously with Bradfield singing about a regime that "disappeared those who would not obey" while The Boy From The Plantation is from the point of view of Jara's mother: "I knew when I cradled you that you were going to shine."

Much of the album is impressionistic rather than purely biographical, with three of the 11 tracks instrumentals, including the melancholic Under The Mimosa Tree, plus a cover of Jara's own La Partida. Elsewhere, there are enough crunching guitars and soaring choruses to keep Manics fans happy.

8/10

Matthew George



Marsicans – Ursa Major

THE debut offering from Marsicans bursts open with soaring guitars tracked over catchy riffs and hard hitting bass. This expansive, 16-song tracklist could be a blur of their happy-go-lucky, pop rock sound – but it often swoops into slower paces for interludes which provide breathing space.

Singer James Newbigging's thick and smooth vocals, a little bit Tim Burgess, a little bit Vampire Weekend, add depth to the songs. These Days is bound to be a big hit and has the potential to amp up the festival crowds with its smooth, lazy, low-fi guitar riffs over a polished rhythm section, while Can I Stay Here Forever takes risks with big, theatrical chord changes over the telltale bounce and skip of textbook indie.

Yet the band veers off course with the sprawling Leave Me Outside, stepping away from the standard pop song structure by adding creatively orchestrated different sections.

It's a well-constructed feat. Whimsical indie rock at its best.

7/10

Sophie Goodall

Sea Girls – Open Up Your Head

THE debut album from indie-rockers Sea Girls is an enjoyable romp through late night antics, the stench of experience and the unbearable feelings of longing and belonging – a theme that repeats itself constantly throughout.

The quartet have been around long enough to have built a loyal fanbase, having performed at Reading and Leeds Festival three years in a row.

The album is pretty relatable to many – to the teens heading off to university where a plethora of experiences await, to those who are a bit older, who clambered through those awkward, bewildering times in which the drunken memories come rushing back.

There's no denying it's a fantastic festival-ready offering with plenty of catchy riffs that you'll find yourself humming along to when you least expect. Nevertheless, it's lacking the special ingredients to be considered a groundbreaking piece.

Highlights include Damage Done, Do You Really Wanna Know, Closer and Weight In Gold.

7/10

Charlotte Kelly