Film review: Mamma Mia! Here We Go Again right on the money, money, money

Cher plays Meryl Streep's mum in Mamma Mia! Here We Go Again
Damon Smith

I HAD a dream that writer-director Ol Parker's sequel to the feel-great ABBA jukebox musical Mamma Mia! would recapture the giddy abandon of the first film, which smashed box office records in the summer of 2008 and had me dancing with fellow audience members of my local multiplex.

Mamma Mia! Here We Go Again doesn't quite achieve the same intoxicating sense of nostalgia-drenched delirium.

In a sing-off with The Great Showman, this bittersweet return to the sun-kissed Greek island of Kalokairi comes off second best to the razzle dazzle of Hugh Jackman and his kaleidoscopic circus of melodic misfits.

However, when all is said and done, Parker's film is hard-wired to entertain with a comforting recipe of glossy song and dance numbers, saucy humour, simmering romance and Oscar winner Meryl Streep ripping the hearts out of chests as she mines the raw emotion of Benny Andersson and Bjorn Ulvaeus's lyrics.

The first film gleefully plundered 20 sparkling gems from the ABBA songbook, including a rousing full-cast rendition of Waterloo over the end credits bedecked in straining spandex and sequins.

Considerably fewer classics remain for Parker to tap for the second picture including a sweet, heartfelt The Name Of The Game (cut from the original Mamma Mia!) and duets of One Of Us and Knowing Me, Knowing You staged as tear-stained break-ups.

Consequently, Mamma Mia! Here We Go Again relies on the Swedish pop group's lesser-known album tracks to reflect characters' whirling emotions, interspersed with euphoric reprises of Dancing Queen, Super Trouper and the title track.

The addition of Cher as Streep's impeccably coiffed mother is a masterstroke.

From the moment we hear the thrum of the chart-topping diva's private helicopter approaching Kalokairi, Parker's film cranks up the volume on our pleasure to 11 and blows the roof off the taverna with her rapturous interpretation of Fernando with fellow newcomer Andy Garcia.

These final 15-20 minutes, when the full cast is reunited on the island idyll, are on the money, money, money.

The sequel's perfunctory narrative finds Sophie Sheridan (Amanda Seyfried) nervously preparing for the grand opening of Hotel Bella Donna, aided by suave manager Fernando Cienfuegos (Andy Garcia) and her architect father Sam (Pierce Brosnan).

Her husband Sky (Dominic Cooper) will miss the festivities because he is working in New York and her two remaining fathers, Harry (Colin Firth) and Bill (Stellan Skarsgard), are stuck in Tokyo and Stockholm respectively.

Thankfully, her mother's best friends Tanya (Christine Baranski) and Rosie (Julie Walters) are on hand to allay Sophie's nerves.

They encourage Sophie to look to the past for courage.

Cue flashbacks to the young Donna (Lily James) embarking on her lusty Mediterranean odyssey via Paris.

Mamma Mia! Here We Go Again lays all of its ABBA love on us with platform heels, tongue-in-cheek humour and joy-infused musical performances choreographed to perfection by Anthony Van Laast.

Fragmented chronology hampers dramatic momentum but audiences who loved the first film won't care. They will be gleefully chanting I do, I do, I do, I do, I do to Parker's sequel.

MAMMA MIA! HERE WE GO AGAIN (PG, 114 mins). Musical/Drama/Comedy/Romance. Amanda Seyfried, Meryl Streep, Lily James, Dominic Cooper, Christine Baranski, Julie Walters, Cher, Pierce Brosnan, Stellan Skarsgard, Colin Firth, Andy Garcia. Director: Ol Parker

RATING: 7.5/10

Released: July 20 (UK & Ireland)

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